Bangkok: Sunthorn Phu, Thailand's most celebrated poet, is often remembered for his literary prowess, typically celebrated through poetry contests and cultural events on June 26th. Chinawat Tangsutthijit, the General Coordinator of the Sunthorn Phu Studies Fund, challenges this traditional view by presenting Sunthorn Phu as a scholar with a global vision, rather than the "drunken poet" image commonly associated with him.
According to Thai News Agency, Chinawat argues that the portrayal of Sunthorn Phu as a "drunk poet" or "womanizing wanderer" is a misconception. Over 90% of Sunthorn Phu's work was created during his time as a monk, a period spanning 27 years. This fact makes it unlikely that his literary achievements were the result of intoxication. Sunthorn Phu's role as a "Royal Scribe" likens him to a modern-day scholar or professor, responsible for drafting official documents and royal decrees. His works reflect a sophisticated and systematic approach, enriched by his comprehensive study of both Western and Eastern sciences.
Another misconception concerns Sunthorn Phu's origins. While many believe he was from Ban Kram, Rayong Province, Chinawat reveals that Sunthorn Phu was actually born in Bangkok Noi, in the Wang Lang area, and was of Brahmin descent from Phetchaburi. His journey to Klaeng, often thought to be a personal visit, was actually a mission related to national security at the time, overseeing troops on behalf of the Supreme Patriarch Chuen. Contrary to popular belief, Sunthorn Phu was not impoverished; during King Rama II's reign, he lived in a houseboat on the Bangkok Noi canal, equivalent to owning prime real estate today.
Chinawat also highlights the international significance of Sunthorn Phu's work, particularly "Phra Aphai Mani," which he describes as a world-class literary piece. This narrative not only resists colonialism but also integrates global settings and characters, including real geographical locations such as Sri Lanka and Singapore. The protagonist's use of a flute as a weapon symbolizes the triumph of knowledge and art over brute force, and Sunthorn Phu's inspiration from global literature underscores his extensive reading and worldly awareness.
Further clarifying misconceptions, Chinawat notes that "Proverbs for Women" is wrongly attributed to Sunthorn Phu, and that his reputation as a womanizer is unfounded. His fame as a poet attracted admirers, but it was not due to womanizing. His work "Lamentation" is a testament to his imaginative vision, transcending social boundaries and time.
In closing, Chinawat emphasizes that Sunthorn Phu's legacy extends beyond poetic beauty. He embodies the "heart of a lifelong learner," keenly observing the world and integrating ancient and modern knowledge. Sunthorn Phu is not just a legendary poet but a "sage who inspires intellectual thought," deserving of deeper study and appreciation by Thais and global scholars alike.